Design

Craft

World apart— Tasmania

Preface

Tasmania is a quiet force on the design scene but government backing, a decent museum and a school saved from closure are helping to put it on the world map and attract clients from abroad. We visit the studios of five makers blazing a trail for the island’s crafts.

Ben Richardson, David Travalia, Kevin Perkins, Laura McCusker, Nick Randall, Patrick Senior, Richard Leplastrier, Tasmania design centre

Patrick Senior

Swan Point

Senior has been working with wood ever since his childhood when he lived on his father’s farm. “Anytime I could be in the shed making something from wood – that was the joy of my life,” he says. Nowadays, he turns wood in a workshop looking out over the glittering Tamar River, just north of Launceston. Senior creates simple home-ware utensils, including salt and pepper grinders and ladles made from, among other timbers, sassafras, sycamore and blackwood. He’s now branching out into lamps – the first (and very promising) prototype of the Angel Lamp is on show at the Tasmania Design Centre in Launceston.

Laura McCusker

Goodwood

McCusker grew up in Adelaide and trained in Sydney before moving to Tasmania eight years ago. “Where else could you raise two kids, have fruits and chickens in the garden, a house and live well as a furniture-maker?” she says. Together with her husband, she runs a workshop shared with graphic designers, an architect and furniture-makers. McCusker sells her pieces, many of which are made from Tasmanian oak, to locals and clients such as the hotel MONA Pavilions in Hobart.

School of Architecture and Design

Launceston

The School of Architecture and Design, part of the University of Tasmania, educates the next generation of the island’s craftsmen and designers. It was threatened by closure but saved by the community’s insistence on keeping it open and re-launched with just 11 students under the stewardship of designer Simon Ancher in 2006. Today it takes in up to 40 full-time students every year, flooding the island with young talent who want to stick around. “We have quite a capable industry here –everything from upholstery to glass-blowing. We’ve been tapping into that over the past years and developed some really strong partnerships with the industry. Ultimately, it’s about exporting that, spreading the word that we have skilled talent here,” says Ancher.

Ben Richardson

Sandford

Richardson used to make surfboards but switched to pottery at the end of the 1970s, building his steel and glass house almost right on the banks of the Pipe Clay Lagoon in Sandford. His work is all about material – naturally he picks up the clay for his ceramics from the lagoon. “I think we’re heading towards a post-global world where we’re going to value the people, ideas and materials of a place again, rather than trying to make them all the same,” Richardson says. Among his devotees are local cooking school The Agrarian Kitchen and restaurant Garagistes in Hobart, which both use his pieces.

Design Centre Tasmania

Launceston

Launched 10 years ago, Design Centre Tasmania is the museum that is quietly showcasing the island’s best makers. Its permanent wood design collection includes pieces by the likes of Kevin Perkins and Patrick Senior. It hosts biannual exhibitions that bring to the fore new designers and supports commercial production of small craft objects through its Tasmanian Design Award. “The driving force is providing real opportunities for people to use hand-skills and to be able to be self-sustained in a small business,” explains the centre’s Rye Dunsmuir. It’s time the Design Centre Tasmania started whispering a little louder about its mission and wondrous wooden treasure trove on display.

Nick Randall

Hobart

Twenty-nine-year-old Nick Randall says he always loved boats – he recently put the finishing touches on a hull, lovingly crafted in local King Billy pine. The boat will serve as a tool for making furniture incorporating the boat-shape. Other pieces in Randall’s portfolio include tables made in fibreglass, eucalyptus and salvaged Huon pine, one of the world’s oldest types of timber that can’t be logged. Based in a workshop provided by the not-for-profit organisation Designed Objects Tasmania (DOT), the oldest design collective in Australia, Randall shares the space with five other designers and makers. “We all have our specialities and backgrounds so if I’ve got a particular question I’m not an expert on, I’ll go next door and ask,” he says.

Kevin Perkins

North Franklin

Named a national treasure and master of Australian craft in 2008, Perkins has been instrumental in developing Tasmania’s designer-maker scene, teaching emerging talent, and in shaping a furniture vernacular. He counts Australia’s National Gallery and the prime minister’s office among his clients. “In Australia we’ve only ever had a few designers who would make it in the industry. The rest of us survive by design and making – we design our own things and put our hands to them,” he says.

Monocle 24

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