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Chiltern sunglasses
Havana shirt
Canvas tote
Monocle magazine April 2024
Konfekt - Issue 14
The Forecast 2024
Spain: The Monocle Handbook
Visal jacket
Rachel long sleeve T-shirt
Ripstop cap
Windbreaker
Nizyū Kanō rucksack
Holdall bag
Shoulder bag
Equinox Light U Carry-on suitcase 34 L
Waan Nozo bowl
AL30 alarm flip clock
Meigallo cobalt vase
Lou stool
Small A6 hardcover pocket notepad
Large B5 hardcover linen notebook
Drehgriffel pen
Wallet notebook
Candle One: Hinoki
Scent Three: Sugi
Calavria roll-on fragrance
Welsh Lavender foot cream
Porter
Comme des Garçons
Leuchtturm1917
Japan Collection
Darumas
London
Zürich
Tokyo
Hong Kong Airport
Issue 102, volume 11
p.121 - 126
01 of 18Items from the 1984 catalogue at the Ikea Museum, Älmhult
02 of 18Lunch is served at the Democratic Design Centre
03 of 18Product timeline at the Ikea Museum
04 of 18Metal specialist phoning it in
05 of 18Ikea HQ
06 of 18‘Fika’ time
07 of 18Henrik Holmberg, head of R&D
08 of 18One of 11 3D-printing machines in the prototype department
09 of 18Vacuum-packed tests in the food lab, Malmö
10 of 18Marcus Engman, chief creative officer
11 of 18Space10, Copenhagen
12 of 18Growing greens in Space10’s hydroponic farm
13 of 18Brainstorming at Space10
14 of 18Setting a model example, Space10
15 of 18The Datafountain, part of an exhibition on infographics at Space10
16 of 18Housed in a former fish factory, Space10’s upper floor contains a workspace and kitchen
17 of 18Basement of the Space10 technology shop
18 of 18Main workspace, Space10
Furniture colossus Ikea is dismantling its reputation and trying to build not only a better public image but also a better future.
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