Interview: Draga & Aurel on using resin to create multiple dimensions
Meet the designers whose refined, transparent creations work best in three dimensions.
Draga & Aurel, founded in Como in 2007, is a true multidisciplinary studio, working across design and art, with one field informing the other. This is thanks to the creative pedigree of the work-and-life partners behind the practice: Draga Obradovic, a former textile designer, and Aurel Basedow, an artist. We catch up with the duo at their studio to hear about their process ahead of Milan Design Week, where they will showcase new work, heavily rooted in the use of materials such as resin.

Tell us how art and design intersect in your work.
Aurel Basedow: We are both artists – that’s our starting point. So everything that we do is through the eyes of an artist. When we first exhibited our Transparency Matters collection, showcasing art alongside our design pieces, it was considered unconventional. But I believe that we were pioneers in this. Now, more galleries and fairs are embracing this crossover.
Draga Obradovic: I initially studied painting but then I worked in textiles and fashion for 15 years. Now I have the freedom to explore the entire creative process, from shaping an idea to its final application. It allows me to fully engage with my skills and passions.
AB: It’s similar for me too. For example, five years ago, my paintings were mostly monochrome. But as we explored transparency in our design work, my paintings became more colourful. The evolution happened intuitively, influenced by the materials that we were working with.

Why is resin one of your favoured materials?
DO: At the beginning it was just the best material for giving a new life to the damaged surfaces of heritage furniture we were upcycling. Resin is flexible; it works with imperfections, allowing the scars of the past to become a pattern or expression.

What’s the appeal of transparency?
AB: Resin has metaphorical, symbolic and mystical significance. It adds depth and volume. When people see my work in person, they’re often surprised: “Oh wow, I saw it online but this is completely different.” I tell them, “Yes, because you don’t see the third dimension in a photo.”
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