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Mount Street Printers demonstrates the appeal of fine print in a digital age
An array of coloured foils, ready for use at Mount Street Printers

Mount Street Printers demonstrates the appeal of fine print in a digital age

Where other printing companies have failed, Mount Street Printers endures. The secret, its director says, is innovation and custom-made equipment.

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Photographer

In a struggling industry, London-based Mount Street Printers is a rare linchpin of stability. Work at its production facility in the west of the city is in rude health: customers include the likes of Burberry and Sotheby’s. The business’s original Mayfair shop also remains a dependable institution. While neighbouring luxury brands come and go, the company, which specialises in fine corporate printing and luxury stationery, has maintained a constant retail presence at 4 Mount Street since 1981. “When we started, everything was printed – there was no such thing as email,” says the business’s director, Alex Cain. “But the marketplace and the area around us have changed. We have gone with what the customers are demanding.”

The son of Mount Street Printers’ founders, Peter and Fridette, Cain has found success by embracing what others fear. “We love programmes such as Canva because they enable people to create their own vision,” he says. “But the real test of a designer today is whether they can make things look good in print. The big agencies are moving towards these touchpoints that make a product feel special.”

Alex Cain and his mother Fridette stand in Mount Street Printers' Mayfair shop lined with red display cabinets and paper samples.
Alex Cain with his mother, co-founder Fridette

At its production facility, innovation is crucial. Traditionally, when a client places an order for, say, an event invitation at a printer, jobs such as making envelopes or letterpress are outsourced because of a lack of specialist skills. “But because we buy the equipment and do it all in-house, we can build a high level of trust with our customers,” says Cain. “You can start from a point of inspiration and let your imagination run wild with techniques, colours, shapes, materials and sizes.”

During Monocle’s visit, we see a wedding announcement with gold-foiled lettering shimmering over a digitally printed watercolour design. Nearby, an employee operates a laser, cutting out plates for die-stamping; the machine was adapted for the business two years ago. Cain has his eyes on what comes next. “We’re obsessed with future-proofing the business,” he says. “My objective is to ensure that it lasts 100 years.”
mountstreetprinters.com

Interior of Mount Street Printers showroom displaying colorful paper samples organized in wall-mounted shelving units.
A rainbow of paper stock offers inspiration to clients new and old
Handwritten wedding invitations with gold foil lettering and decorative hearts on a cutting mat.
Wedding invitations hot off the press
Stacks of white cut paper with Mount Street Printers branded tape on top stack.
Finishing touches such as envelopes are produced in-house
Industrial printing machinery and equipment arranged in a bright warehouse space with metal roof trusses and skylights.
Some machines are salvaged from other printers or found via tip-offs

Comment
Though trends can offer short-term success, it’s worth looking elsewhere for longer-term rewards. Something that has gone out of fashion will invariably come back – hold tight and you might be pleasantly surprised. It’s why Monocle has always believed in the power of print.

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