Opinion / Megan Gibson
Turning a page
What’s that? Could it be the sound of a smattering of year-end good news in the publishing world after an extraordinarily tough nine months? Last week, one of the world’s most prestigious literary awards, the Booker prize, announced its judging panel for 2021. But tucked in amid the news that novelist Chigozie Obioma (pictured), historian Maya Jasanoff and Rowan Williams, the former archbishop of Canterbury, will be among those assessing next year’s contenders is a bit of admin news that could perhaps have a much more profound impact on who makes next year’s shortlist.
In past years, the Booker Prize Foundation, the charity that operates the annual award, has required that the publishers of the shortlisted novels stump up £5,000 (€5,516) to be used for marketing and public events. For 2021, recognising the brutal impact that coronavirus has had on publishing houses this year, the foundation decided to waive the fee. And from now on, the foundation has revealed, it will remain that way. This news is especially meaningful for smaller imprints and independent presses. After all, megawatt publishing houses have little trouble covering such fees but for the little guys it could be the dealbreaker that holds their authors back.
With the larger publishing houses throwing more attention and money behind commercial novels and celebrity memoirs, it’s the smaller, independent outfits that are increasingly publishing more experimental, ground-breaking and genuinely exciting literature. Take 2020’s A Ghost in the Throat by Doireann Ní Ghríofa, from indie Tramp Press, as just one thrilling example. If these works are now more easily able to be included on literary prize lists, they’ll be much more widely read. So, ultimately, this move is good news for readers too.