Opinion / Fiona Wilson
Curtain call
Over the past couple of days, Ryuichi Sakamoto (pictured), one of Japan’s greatest contemporary musicians, has made a pre-recorded solo piano “concert” available to stream in what might be one of his last public appearances. Sakamoto, who is being treated for stage-4 cancer, has had a remarkable career that spans 1970s synth pop and film scores, and he occupies a unique space in Japan’s cultural landscape.
He scored movies such as The Last Emperor (for which he won an Oscar), Merry Christmas, Mr Lawrence (in which he appeared alongside David Bowie) and The Revenant. But music hasn’t been his only interest: he once went to the Arctic to record the sound of melting ice and, since the 2011 Fukushima catastrophe, has been a staunch anti-nuclear campaigner.
Of his unconventional (and perhaps final) show, he said, “I don’t have the stamina to complete a live concert, so this might be the last time I perform in this way.” In public broadcaster NHK’s biggest studio, Sakamoto recorded 13 songs one by one; the performances were then edited together to make an hour-long concert. A camera crew was on hand to document the process and a longer film will be released at some point in the future.
Sakamoto will release a new album, 12, on his birthday in January. “I hope to be able to make music until my last moment, like Bach and Debussy, whom I love,” he recently wrote. Sitting at the piano, he looked as stylish as ever, if thinner. Many are hoping that this won’t be his final performance; yet the concert was an apt way to begin the end of an unconventional career that has inspired listeners across Japan and beyond. As one fan said of the performance, “I will burn it into my ears and heart.”
Fiona Wilson is Monocle’s Tokyo bureau chief.