Opinion / Ana Kinsella
Streets ahead
The Line, a planned megacity in the scorching Saudi Arabian desert, will be built from scratch in a rather puzzling way. For now imagined in glossy renderings (pictured), it will be a linear city that its developers say will house nine million people in a mirrored space that’s 200 metres wide and 170km long. The full cost and timings remain as fuzzy as the details. The Line’s amenities promise to offer residents everything that they need within a five-minute walk.
Yet the most unusual thing about the city’s take on the community is that in place of streets or cars, there’ll be a rather unromantically named “pedestrian layer”. For longer journeys, an ultra-high-speed train will take people from one end to the next in 20 minutes. Handy? Perhaps. Exciting? Not very.
There’s so much to be said for the street as the connective fibre of a functional city. Lanes, side streets and pavements are more than just parts of journeys to other places; they are also democratic spaces. Walking the streets is surely what makes urban life enticing, strange and occasionally serendipitous. Proximity to the lives of other city dwellers is a feature to be enjoyed, not a crease to be ironed out.
Designing a city around convenience isn’t enough. After all, some of the world’s best urban centres, from Venice to New York, are tricky places to navigate. Being able to get around easily and safely is part of a balanced city; the same goes for access to greenery, fresh air and space to amble and cycle. Equally, so is some space for collision, coincidence and chance encounters.
With any luck (and common sense), projects such as The Line won’t get too far. If planners want to know what cities of the future should look like, they should consider what first lured people to settle there in the first place.
Ana Kinsella is a journalist and author of ‘Look Here: On the Pleasures of Observing the City’, published by Daunt Books. A version of this piece appears in ‘The Monocle Companion: Fifty Essays for a Brighter Future’, which is out now.