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Monocle on Culture

Robert Bound and guests explore what’s new in art, film, books, and media. Expect lively discussions, in-depth interviews, and expert insights.

Latest Episodes

Behind the scenes at Monocle, issue 100
#276 23 Jan 2017

Behind the scenes at Monocle, issue 100

We find out how the Culture pages of the latest issue of Monocle came together, including a chat with our Milan correspondent about his report on ‘La Repubblica’ and a snapshot of life as the magazine’s photography director with Matthew Beaman.

How do you write an obituary?
#275 16 Jan 2017

How do you write an obituary?

It was a busy year for the obituaries desk at newspapers the world over as some of our favourite cultural figures have bade farewell. We speak to Harry de Quetteville of ‘The Telegraph’ about how an obituary is written and Will Hodgkinson, chief rock and pop critic for ‘The Times’,…

How do you put on a fashion show?
#274 09 Jan 2017

How do you put on a fashion show?

We go backstage with British label E Tautz at London Fashion Week Men’s to find out how they put together their autumn/winter runway show. We meet the crew behind the catwalk, including creative director Patrick Grant, hair and make-up, the commercial team and the models.

Looking ahead to 2017
#273 02 Jan 2017

Looking ahead to 2017

Robert Bound sits down with DJ and broadcaster Georgie Rogers, film critic Jason Solomons and author Mark Mason to discuss the year to come in music, film and books.

Who has the best Christmas album of 2016?
#270 12 Dec 2016

Who has the best Christmas album of 2016?

Music journalist Laura Snapes, DJ and broadcaster Baylen Leonard, and chief rock and pop critic for ‘The Times’, Will Hodgkinson, join Robert Bound in the studio to rate this year’s Christmas albums. Plus: singer-songwriter Marika Hackman tells us about the making of her festive EP ‘Wonderland’.

Have we reached peak biennial?
#269 05 Dec 2016

Have we reached peak biennial?

When almost every city in the world seemingly has one, what is the role of the biennial? We wonder who does this soft-power attraction best and which parts of the world benefit from them as a showcase of how dynamic and cultural they can be.

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