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Poland’s Poster Museum packs a punch. Here are 16 standout works to prove it 

Warsaw’s Poster Museum contains more than 50,000 pieces ranging from contemporary graphic design to art deco-era pieces. Following a recent revamp, Monocle gathers some of its favourite examples.

Writer

Experimental and bursting with allusion, Polish poster design has won fans across the world since the nation’s artists first started developing the medium in the mid-20th century. Among the most famous examples of the genre include city posters, with each major Polish city and town getting its own depiction in printed form. This was a favoured outlet for designers, including Ryszard Kaja in his “Poland” series. 

Opened in 1968, Warsaw’s Poster Museum contains more than 50,000 pieces ranging from contemporary graphic design to art deco-era pieces, and has recently had a welcome revamp. There is also a strong showing from postwar Poland, when the medium came into its own as a way of bypassing Soviet censorship. The country’s lack of a free market in those years, as well as the loosening of restrictions following Joseph Stalin’s death in 1953, also meant, ironically, that artists were able to disengage from commercial pressures and create art for art’s sake. For ordinary citizens, it meant the streets – grey, void of any advertising and often still bearing the marks of the Second World War – were brightened with splashes of colour and creativity. 

One name to know? Tadeusz Trepkowski, who revolutionised postwar poster art with his minimalist, symbolic approach. A self-taught artist born in Warsaw in 1914, Trepkowski received his first international recognition in 1937 when he was awarded the Grand Prix in the International Paris Exhibition. After the Second World War, his posters were often rejected for deviating from the socialist realism favoured by Soviet authorities. But before his sudden death in 1954, the artist designed a variety of posters for films, sports events and businesses, including Poland’s flag carrier LOT. 

Here we have gathered some of our favourite examples from the Poster Museum’s collection. 

A poster designed by Roman Cieslewicz, a Lviv-born and Krakow-educated Vogue art director
Surrealist elegance from Roman Cieslewicz, a Lviv-born and Krakow-educated Vogue art director (1959) 
Poster for A taste of freedom by Tomasz Ruminski
A taste of freedom by Tomasz Ruminski (1961)
Anti-hunting poster, designed by Wiktor Gorka
A tongue-in-cheek warning from Wiktor Gorka (1961)
A multi-country bike race organised by the Socialist authorities gave inspiration to Leszek Holdanowicz
A multi-country bike race organised by the Socialist authorities gave inspiration to Leszek Holdanowicz (1967)
“Radion does the washing itself” says this poster advertising a laundry detergent by Tadeusz Gronowski (1926)
“Radion does the washing itself” says this poster advertising a laundry detergent by Tadeusz Gronowski (1926)
Architect Stefan Osiecki on the virtues of skiing in Poland (1938)
Architect Stefan Osiecki on the virtues of skiing in Poland (1938)
Tadeusz Trepkowski captured Warsaw’s postwar devastation in an antiwar poster
Tadeusz Trepkowski captured Warsaw’s postwar devastation in an antiwar poster (1952)
This Mondrian-esque Lodz poster by Ryszard Kaja is in the style of the city’s adopted avant-garde artist, Wladyslaw Strzeminski
This Mondrian-esque Lodz poster by Ryszard Kaja is in the style of the city’s adopted avant garde artist, Wladyslaw Strzeminski (2013)
A poster featuring typography by Henryk Tomaszewski for a Henry Moore exhibition
Original typography by Henryk Tomaszewski for a Henry Moore exhibition (1959)
Poster for an international festival of contemporary music by Wojciech Zamecznik (1962)
Moody abstractionism for an international festival of contemporary music by Wojciech Zamecznik (1962)
Vilnius tourism poster, designed by Stefan Norblin (1929)
Vilnius, now the capital of Lithuania, is romanticised by Stefan Norblin (1929)
Poland's poster for Paris’s International Exhibition of Modern Decorative and Industrial Arts, designed by Zofia Stryjenska
Poland put its best foot forward for Paris’s International Exhibition of Modern Decorative and Industrial Arts, by Zofia Stryjenska (1925)
A poster by Gorka promoting tourism in Poland
Who can refuse Gorka’s invitation? (1967)
Andrzej Klimowski’s interpretation of Jim Jarmusch film Mystery Train
Andrzej Klimowski’s interpretation of Jim Jarmusch film Mystery Train (1991)
On the buses in Eryk Lipinski’s poster for Andrzej Munk film Sunday Morning
On the buses in Eryk Lipinski’s poster for Andrzej Munk film Sunday Morning (1955)
A creative take on a car-showroom exhibition by Polish-French designer Henryk Berlewi
A creative take on a car-showroom exhibition by Polish-French designer Henryk Berlewi (1924)

postermuseum.pl

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