Opinion / Fernando Augusto Pacheco
Eject disc
On my first visit to Tokyo’s Tower Records last year, the store was celebrating the latest release by Japanese band Perfume – and the place was buzzing. One of the group’s biggest hits, “Chocolate Disco”, was pumping out of the speakers. I bought the album, which came with a poster and special notepad. It was inspiring to see the passion that Japanese consumers still have for CDs – the country is one of the few markets that still values the format. It’s why artists often release unique editions of their albums in Japan, usually with a bonus track or different artwork.
In the UK, where I now live, things are different: every time I tell colleagues that I still buy CDs they give me a quizzical look. Just last week a copy of a rare bossa nova compilation arrived on my desk along with a greatest-hits compilation by Ladytron. I have eclectic taste: the week before I purchased an Enya album – it made sense during lockdown. Although vinyl is incredibly beautiful and I understand the appeal, I grew up with CDs. There’s a certain nostalgic tingle that hits me every time I buy one. Streaming or buying a digital version just isn’t the same thing.
And so it was with sadness that I learned that Japan is also changing. The Japan Times reported last week that because of the pandemic and record-shop closures, the Japanese are increasingly moving to streaming services like the rest of us. The nostalgist in me remains confident: surely the Japanese won’t give up on this beautiful tradition so easily, especially once the pandemic is behind us? I mean, who would want to miss out on the time-tested charm of an album cover?