Factory floored

Established: 2005 (in Frankfurt)
Location: Rummelsburg, Berlin
Staff: Fluctuates between 50 and 80

Fanciful flying machines and cities in the clouds seem like the stuff of dreams but they are the everyday at Argentine artist Tomás Saraceno’s studio. Based in a century-old multistorey factory complex in Berlin’s Rummelsburg neighbourhood, the studio has bustled with production, research and experimentation since Saraceno arrived in 2013. “There’s a lot of enthusiasm and curiosity here,” he says, walking us through the spaces where he and his team work.

And what work, not least blown-glass sculptures building on the artist’s “cloud cities” (a recurring theme in his exhibitions) and the in-house Aerocene Foundation, which Saraceno established to explore the idea of air-flight without fossil fuels. It has developed triangular balloons that rise with heat generated by the sun, travel on the wind and land with air currents.

Coming from backgrounds as varied as biology, philosophy, architecture and engineering, the staff’s ideas (and nationalities) vary as much as the work they create. Team members (who speak mostly English, Italian and Spanish over German) prepare for exhibitions, deal with logistics, produce objects to show, observe the enigmatic behaviour of spiders (and even archive their three-dimensional webs), work on print publications and develop apps. As the studio grows “the roles are shifting”, says Saraceno. “It’s evolving into an even more beautiful atmosphere.”

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Tomás Saraceno
Artist, Studio Tomás Saraceno

Born in Argentina in 1973, Tomás Saraceno studied architecture in his home country, then architecture and art in Frankfurt and Venice, before settling in Berlin in 2012. Studio Tomás Saraceno’s in-house team fluctuates between 50 and 80 people, with outside collaborators coming from organisations such as mit and the Max Planck Institute. The result is a place that is many things in one: workshop, research centre, think-tank, lab, production floor and, of course, artist’s studio.

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The cabinet

Fabiola Bierhoff
Gallery and sales liaison, small-scale production co-ordinator.
“It’s inspiring to work with someone who is showing you the world in new ways,” says Bierhoff.

Zaida Violan
Personal assistant.

Alice Lamperti
Aerocene research co-ordinator.
“Aerocene connects disciplines and every day is a discovery,” says Lamperti.

Philipp Weber
New works development.

Erik Vogler
Aerocene production leader.
“Working here means you have to find and embody your role,” says Vogler.

Sonia d’Agrain
Management assistant (legal), project manager.

Manuela Mazure Azcona
Production co-ordinator.

Ally Bisshop
Arachnophilia reseacher.

Jillian Meyer
Registrar.

Claudia Meléndez Rivera
Head of design.
“The studio has grown but we’ve also created other communities. It’s inspirational to be here. It’s more a conversation,” says Melendez.

Marina Höxter
New media project co-ordinator

Lars Behrendt
Studio manager.

Ilka Tödt
Sustainability co-0rdinator.

Connie Chester
Head of research and communication.
“It’s like a family; we work within the universe of Tomás Saraceno,” says Chester.

James Sundermann
Storage and facility manager.

Viola Cafuli
Production team leader.