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World spokesmen

Across the Nippon-Nordic alliance, a clutch of companies are producing the world's highest quality two-wheelers. Monocle profiles five of the finest bike-makers, from Sweden to Japan.

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Skeppshult
Sweden

“When we bought Skeppshult, in 1989, we didn’t know bikes,” says Kjell Sture, who purchased the small bicycle firm with partner Peo Helge. Skeppshult was founded in 1911 by Albert Samuelsson in Skeppshult village. In 1920, he opened a factory but the company was largely unknown until Sture’s and Helge’s arrival.

“Skeppshult was in good shape when we turned up, but it was little-known to the rest of Sweden,” says Sture. They have always held provenance as their defining value. “We installed machines and taught the employees more skills to up the quality,” adds Sture. “When other companies were heading east for their frames, we stood our ground and invested money in our Swedish operation,”


Alta bike
Norway

This single-speed bike is the result of a combined Norwegian effort. “We wanted something back to basics,” says Sondre Frost, of design consultancy Frost Produkt. After a chance encounter at a tradeshow, the Oslo-based company drew up a prototype from scratch with help from furniture designers Norway Says. Additional feedback on the Alta came from graphic artists Bleed and a local ad agency. The Alta is a hybrid between a classic courier and a mountain bike.

Its single-speed design means it performs better in the urban jungle. “You seldom have enough speed to need to change gears, and the specially designed handlebar functions as an extra gear‚ as it is optimal for a rocking motion when you are accelerating or climbing,” adds Frost.


Arrow
Japan

Jinbei Yamada has been selling his cult bikes from a corner shop in Tokyo since 1972. The sign above the door says it all: Simple is Best. Customers can choose from basic designs in 18 colours. They can also buy the bikes in kit form – hence another shop sign: “Your bike made by yourself”. Many opt to buy the kit and build their bike in the Arrow shop under Yamada’s watchful eye. He is adamant it only takes a couple of hours. “I realised, if I could do it, anyone could,” he says.

Yamada’s view is that a town bike should be strong, narrow and light; popular styles include the Yamajin and the Classic, the simplest of all, with a foot brake and no mud guards. Working to a soundtrack of modern jazz, Yamada doesn’t take life too seriously. Arrow only makes around 1,000 bikes a year and Yamada has no plans to employ more people: “Too much stress,” he says.


Cykelmageren
Denmark

A couple of years ago, Rasmus Gjesing was talking to a bike designer, who was showing him his latest model, “He asked me what I thought about his bike. I didn’t like it and I told him so.” The designer scurried off and produced a streamer, which he attached to the handlebar. He asked Gjesing what he thought of it now, to which the straight-talking Copenhagener replied: “Well, it’s the same bike with a streamer stuck on, so it still looks like shit.”

Gjesing is big on simplicity. Having studied bike mechanics during the late 1980s, he opened his workshop on Nørrebro. His design style is as plain as his speech – pared down and with a half-turn of irony. His first bikes, which remain largely unchanged, are bought by a loyal fanbase of aesthetes around the world. At present, he only sells his bikes in Copenhagen and Moss, the industrial design showroom in New York.


Jopo
Finland

In 1964, Helkama launched the Jopo. Just as the Chopper defined 1970s Britain, the Jopo became an icon of 1960s Finland, with a one-for-all egalitarian philosophy. Jopo took its name from the first two letters of Finnish words jokaisen polkupyörä, meaning “everybody’s bicycle”. Employing a new technique – two pressed-steel frames, as opposed to one welded piece – Helkama gave the bike a new form, which became one of its selling points.

Markku Autero, Helkama’s head of design, describes the original Jopo. “The first only required one gear and a coaster brake.” Helkama’s creation was a huge success and they sold 214,000 before the company ceased production in 1977. “In 1997, we decided to reintroduce the bike, but renamed it Pojo after reducing the wheel size from 22-inch to sync with the European standard 20-inch. But it wasn’t until 1998 that we reverted to the classic 22-inch wheel because of problems.”

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