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Broadcaster and DJ Georgie Rogers tells us why we should be listening to Feist and Little Cub this week.
London’s Barbican is a celebrating classical music. Sound Unbound showcases composers and musicians who are pushing the boundaries of what classical music means today. Sven Helbig, whose sound comprises choral and ambient music, speaks to Holly Fisher.
Ed Sheeran’s finally been knocked off number one but who has taken the coveted spot? This week we count down the top five singles in the US music charts with Fernando Augusto Pacheco.
Diego Jalfen from Radio Cascabel gives us his music picks from Latin America this month.
In this week’s global countdown, Fernando Augusto Pacheco talks Matt Alagiah through the top-five singles chart in India.
Grammy-winning country star Jason Isbell joins us in the studio to play from his brand new album ‘The Nashville Sound’.
Live music from husband-and-wife duo Tennis, who play from their new album ‘Yours Conditionally’.
Sarah Cracknell, lead singer of Saint Etienne, drops by to perform from the band’s new album ‘Home Counties’ and talks leaving – and returning to – suburbia with Andrew Mueller.
Aarhus-based noise-pop group Lowly come to Midori House to play from their debut album ‘Heba’.
’90s rock and pop favourites The Charlatans are back with a brand new album called ‘Different Days’. Tim Burgess and Mark Collins from the band come into the studio to play from it.
UK R&B singer Purple Ferdinand plays from her new EP ‘Rain or Shine’ and talks about making the leap from a big record label to an independent one.
We give our 2015 session with French-Israeli singer Yael Naïm another spin.
We revisit some of our favourite live performances from the year so far, including tracks by Martha Wainwright, Hippo Campus, Novella and Michael Nau.
American musician Weyes Blood discusses how the changing world we live in inspired her latest album ‘Front Row Seat To Earth’ and plays live in the studio.
Six decades after its debut, Fender’s Telecaster model remains one of the most iconic and enduring electric guitar designs. What’s more, it was the first commercially successful one. The reason? Sound design, of course.
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