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Chiltern sunglasses
Havana shirt
Canvas tote
Monocle magazine May 2024
Konfekt - Issue 14
The Forecast 2024
Spain: The Monocle Handbook
Visal jacket
Rachel long sleeve T-shirt
Ripstop cap
Windbreaker
Nizyū Kanō rucksack
Holdall bag
Shoulder bag
Equinox Light U Carry-on suitcase 34 L
Waan Nozo bowl
AL30 alarm flip clock
Meigallo cobalt vase
Lou stool
Small A6 hardcover pocket notepad
Large B5 hardcover linen notebook
Drehgriffel pen
Wallet notebook
Candle One: Hinoki
Scent Three: Sugi
Calavria roll-on fragrance
Welsh Lavender foot cream
Porter
Comme des Garçons
Leuchtturm1917
Japan Collection
Darumas
London
Zürich
Tokyo
Hong Kong Airport
Issue 94, volume 10
p.145-151
01 of 21Breaking the Mould collective and (right) Salviati’s Monica Crescente
02 of 21Vases waiting to be polished
03 of 21Melting goes on behind closed doors
04 of 21Craftsmen use steel and wood moulds – and no gloves
05 of 21Melting goes on behind closed doors
06 of 21Glass pendants decorate Gambaro & Tagliapietra’s workshop
07 of 21Bright façades on the island of Burano
08 of 21Splash of colour
09 of 21Glass-fusion teacher Elena Menegazzo
10 of 21Roberto Beltrami is one of the youngest glass-blowers at Abate Zanetti
11 of 21Speckled, matte, see-through: colour variations are endless
12 of 21Piece by Gambaro & Tagliapietra
13 of 21Craftsmen use steel and wood moulds – and no gloves
14 of 21Glass pendants decorate Gambaro & Tagliapietra’s workshop
15 of 21The canals of Murano are lined with glassware shops
16 of 21Handle with care: steel straws reach 80C
17 of 21Antonio Ceschel, general manager at Carlo Moretti
18 of 21Vases from Carlo Moretti’s collection
19 of 21Salviati was founded in 1859
20 of 21Traditional Murano glass
21 of 21Designer Chiara Onida with Breaking the Mould’s vases
We visit the Venetian Lagoon to witness its glass-blowing traditions.
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