Brute force
James Bond creator Ian Fleming was so offended by the construction of the boxy concrete Trellick Tower in west London that he named one of his most prominent villains after its architect: Ernő Goldfinger. Few architectural styles have prompted as much awe, chatter and red-cheeked ire as brutalism. For some context we’d suggest leafing through Christopher Beanland’s Concrete Concept, a dazzlingly shot whistle-stop of the much-maligned style’s greatest hits, which is published next week. From Francisco Javier Sáenz de Oiza’s batty 1960s-built spaceship-esque towers in Madrid to the curvy palaces of Brasilia and a (frankly bonkers) post office in Skopje, the book showcases the confidence, clarity and historical importance of the movement. It’s easier than you think to love a brute.