Opinion / Chiara Rimella
Carry the can
The arts in Italy have a public-funding problem – that’s nothing new. But the right-wing-cum-populist government’s decision to drastically cut funding to Rome’s contemporary-art institutions Maxxi and the Galleria Nazionale in its 2019 budget was a signalling of its priorities – and not the right ones.
Private collectors around Italy have decided to step up and show how important the work of these institutions has been in propping up the country’s art scene. Led by Patrizia Sandretto Re Rebaudengo, 12 private venues across the country (including her eponymous foundation near Turin) will stage an exhibition called Grand Tour Contemporaneo. Opening on 15 April, the show is a commendable effort; albeit a sad reminder of how the public sector can get away with backing out of its responsibilities.
It all becomes trickier once you look at the drama unfolding at Milan’s opera house La Scala. The theatre is discussing a five-year partnership with the Saudi cultural ministry that would pour €15m into La Scala’s coffers. The move has drawn criticism from political figures who shrink from the notion of such an institution working with a disreputable regime. But whether you support or deride it, one-off cash injections like these are no substitute for consistent government funding to nurture arts in the country.