Opener / Andrew Tuck
Taking flight
If you were walking through a London park would you spot a tiger dozing in a tree? Well I saw one this week and I stopped – as did another dog walker – to watch for a moment. Others were oblivious.
Oh, you’d like to see the tiger? Well all you have to do is head for the northern edge of London’s Regent’s Park where it butts up against London Zoo and you can look over the fence to see the tiger, a couple of camels and some penguins.
I stopped but that’s because doing so is part of my city filter. Whether it’s a fox slinking down the street at night or a ring-necked parakeet perched on my aerial of a morning, I try to catch these moments where nature peeps into the city.
This world of personal filters has made the task of compiling our annual Quality of Life Index, which ranks the top 25 cities in the world (and runs in our forthcoming July/August issue – sign up now), contentious. While one person wants great playgrounds for their kids (hello, Berlin), the next just wants a fun night-time economy (hello, Tokyo). None is better than the next and they flex and change across ages and interests, culture and moods.
But back to the wildlife. I receive some gentle teasing at Monocle for my nature filter. This is because our office overlooks a park and a variety of birds come to perch outside our window; the fact that I can name these visitors is the cause of amazement. It’s an easy audience to impress: one of my desk neighbours would struggle to deduce the difference between a duck and a parrot.
When it comes to how we see things, there was some bonding in print this week though. Our director of photography showed me a book that sums up the power of watching – and waiting. The Pillar is a collection of photography by Stephen Gill with words by Karl Ove Knausgård. Gill set up a camera next to a wooden pillar on a Swedish farm and as birds came in to land, they triggered a snap. It was shot over several years and the incoming flights include everything from eagles to sparrows. It’s Gill’s filter on the world – and it’s remarkable.