Opinion / Chiara Rimella
Here and now
Services ranging from healthcare to policing have had to engage in “rapid-response” activities over the past year. Museums have learned to do the same with their collections, issuing call-outs from early on in the pandemic for art pieces to bear witness to this historical moment. The V&A in London has in fact had its Rapid Response Collecting programme in place since 2014. This weekend it marks the opening of a new gallery, which will show items from that pool.
Design 1900 – Now is the V&A’s latest permanent display, tracing the effect of design on people’s lives, attitudes and habits over the past century. The gallery (pictured) is organised by theme, from “automation and labour” to “consumption and identity”. New pieces include Nigeria’s 2018 football World Cup kit and Kim Kardashian’s book, as well as coronavirus-related items including hands-free door-openers and the British Vogue cover dedicated to key workers.
The rush to accumulate objects during the pandemic – coupled with a profound questioning of colonial collections and their provenance – has created existential questions for museums. Serving merely as bastions of simple narratives of the past is no longer an option: every museum director wants (and needs) to make their collection dynamic, whether they’re focused on contemporary installations or Roman remains. This will be harder for some than others but after a year of forced closures, museums have already had the chance to experiment with being more nimble – and flexible. Perhaps other institutions should consider a “rapid response collection” of their own.