Opinion / Nic Monisse
Aiming high
I was taking myself on a tour of New York’s design highlights when I first visited The High Line (pictured). While the Guggenheim, the Seagram Building and the UN headquarters were all impressive, landscape architect James Corner’s transformation (alongside Diller Scofidio + Renfro) of a stretch of abandoned railway track on Manhattan’s west flank into a verdant park struck me the most. It was a work of design so dramatically different to anything I had seen before – and the reason why the newly granted planning approval for the Camden Highline in London is particularly exciting. By 2025, north London will hopefully have a new park running along a 1.2km stretch of former railroad track.
Camden isn’t the first linear park to draw from the New York original: there’s The 606 on the old Bloomingdale line in Chicago, completed in 2015; Seoul’s Seoullo 7017, which was built on an unused overpass in 2017; and then there’s The Underline in Miami, the first stretch of which opened in 2021. The presence of these High Line tributes in cities across the globe shows the power of a singular, iconic work to spawn similar projects elsewhere. All of which begs the question: what’s the next big urbanism project set to inspire a host of copycats? Danish architecture firm Big’s skyscraper The Spiral – also in New York – seems the obvious candidate. The visual greenwashing of the super-tall skyscraper, with plants spiralling up its facade, is likely to be appealing to ambitious developers and architects looking to make a mark and grab headlines, just as The High Line did.
The difference between the two projects is the fact that, while the visual appeal of it was great, what has made The High Line an enduring success, and ultimately spawned so many similar projects, is the simple fact that it improved city dwellers’ lives. The residents of Chicago, Seoul and Miami have all benefited from the added greenspace brought on by The High Line effect – as Londoners will do soon too. The next big project to come along will need to realise that the real magic comes when people, not aesthetics, are put first.
Nic Monisse is Monocle’s design editor.