In the February issue of Monocle, German fashion designer Jil Sander speaks to our fashion director, Natalie Theodosi, about her latest project: Jil Sander by Jil Sander. The book, published by Prestel, was conceived with Dutch graphic designer Irma Boom and journalist Ingeborg Harms. Here, Sander tells us about her philosophy and the process of putting together her monograph.
How did the idea for this book come about?
When I organised my archives for a Frankfurt museum exhibition in 2017, I realised how much material I had and that the right time had come. The book was a way to share and present this material in a personal way. Looking back, I wonder where the energy came from; how we consistently managed to maintain a sense of team spirit and preserve the high quality of our work. The memories are dear to me but they also remind me that my life was absorbed by work and a mission.
Now that you’ve taken a step back, how do you see the fashion industry today?
We face similar problems and ask the same questions. What’s new? How do we create awareness and express the moment that we’re living in? Iconic shapes and proportions are achieved by decisive details such as tailoring, lining and textiles. These are all important to my work – I wanted them to be noticed. I don’t believe in timeless design. Even classic shirts and jackets need contemporary interpretations. At a certain point, a suit looks dated, no matter how well it was crafted.
What’s your fashion philosophy?
I don’t identify with the minimalist tag. At the start of a collection my mind is wide open – I’m more of a maximalist. I develop and experiment with unusual fabrics, cuts and proportions, and I don’t exclude embellishment. Step by step, I reduce designs to a core message; not in the interest of providing less but in the interest of creating a strong essence.