My Cabinet: Bad Ischl / Austria
Art of the matter
How a small team is leading the Salzkammergut region’s charge as a European Capital of Culture.
Stretching east of Salzburg to the Dachstein mountains, Austria’s Salzkammergut region, once renowned for salt-mining, has a new currency: culture. Under the banner town of Bad Ischl, the Salzkammergut’s 23 municipalities are one of this year’s three European Capitals of Culture; for the first time, a region, rather than a city, was awarded the coveted title. Buoyed by this vote of confidence from the EU, and with €30m in funding, it is busily reviving its artistic heritage.
“We’re using this impetus to understand how the region can be attractive globally,” says the programme’s artistic director, Elisabeth Schweeger. As part of the yearlong initiative, about 300 projects, including art exhibitions, concerts, operas and operettas, panel discussions, guided hikes and public installations, will come to fruition. It’s a feat spearheaded by Schweeger’s efforts to revive the Salzkammergut’s postindustrial spaces and defunct railway infrastructure.
“We don’t have an impressive opera house or a vast state-owned museum so we must think outside of the box,” Schweeger tells monocle in Bad Ischl’s Trinkhalle, the town’s classical-style concert hall that was once a place for mineral water thermal baths. She has her work cut out: following its illustrious peaks during the imperial era, the town’s cultural clout dramatically faded over time.
In the 19th century, Bad Ischl was considered somewhat avant-garde. Artists and well-heeled Austrians seeking to escape the heat of the capital during the Sommerfrische, the summer holidays, would flock to the Salzkammergut’s mountains. Among them were members of the Austro-Hungarian monarchy, who brought Vienna’s cultural prowess with them in the 1850s. One of the aims of this year’s events is to distribute tourism more evenly around the region. “We’re a team of 38 based across the area, looking at its cultural deficits but also at the possibilities of the Salzkammergut as a model rural region. This isn’t about urbanising the countryside. It’s about reviving dormant cultural facets, on behalf of the Salzkammergut and for Europe as a whole.” —