Opinion / Chiara Rimella
If it ain’t broke…
If Italian readers had to point out the country’s most experimental novelist, few would think of Federico Moccia. The 56-year Rome-born author is famous for his uber-cheesy romantic young-adult fiction – cringeworthy early 2000s teenage bible Tre metri sopra il cielo (Three Metres Over Heaven) among them – and less for his writing prowess.
And yet Moccia has just made headlines as a publishing innovator. He announced that his next title will be written in collaboration with eight amateur writers, the winners of a contest open until 31 October. His forthcoming La ragazza di Roma nord (The Girl from Rome North) already has the skeleton of a plot in place; the submitted contributions will sit as separate stories inserted in the book via a canny narrative device. Moccia believes that this is a way to “give back” to a public that’s always supported him. The CEO of Sem, the publishing house due to release the book next year, thinks that this is an “experiment to innovate a market that’s clinging on to a world that no longer exists”.
It’s true that the publishing industry has had to adapt to a huge shift in the way people consume information. But is mimicking the interactivity of the digital domain the way forward? Readers often make their opinions heard on comment sections, forums and fan-fiction portals online: that freedom is both revolutionary and pernicious. The reason we love books is because they often function as an antidote to time spent staring at a screen – not an echo of it.