OPENER / ANDREW TUCK
Lockdown logic
Join in
How long will it take for there to be a rallying song for these strange times? Or a good novel or cinematic thriller that’s inspired by coronavirus? Or art? Although, hopefully, not too many poems. While the edge of the pandemic’s reign remains distant and undetectable, and any vaccine hero is still unknown, perhaps the world of the arts will have to wait (though I have no doubt that Netflix is already hearing pitches for TV treatments). But the absent musical anthem is harder to explain.
In the UK they have re-released “We’ll Meet Again”, a song from the Second World War that did the trick back then but won’t do now (even if the sentiment is so rich that it was referenced in the Queen’s address to the nation last weekend). Something unifying like Pharrell Williams’s “Happy” is, well, perhaps too jolly. And it’s impossible to get lots of musicians together to record a stirring Band Aid-style song. I listen to the lyrics for the number one in many countries right now, “Blinding Lights” by The Weeknd: “I’ve been on my own long enough… I look around and Sin City’s cold and empty.” Perhaps we already have the song and just didn’t spot it.
Hard to believe
At the park there’s a man lurking by the bushes. He’s got a camera with a telephoto lens as long as his arm. He’s here not to spot a rare bird in the trees but to try to catch out people sunbathing, sitting on a bench, talking to someone who does not live in their household (I know this because a few hours later I check the tabloid sites to confirm my suspicions and there are his pictures). He’s also got a series of people allegedly cycling too close to one another. But they are not what they seem to be. He’s simply used the lens to make it look like people are super close by shortening the field of vision. With a country on edge, it’s incredible why anyone would try to sow unease.
We can make it
It all started off so promisingly. People said that this forced downtime would see a resurgence in handicrafts, in people fixing and repairing, and learning new skills. I know that I succumbed. Just before the lockdown hit, I stocked up on Farrow & Ball paint, determined to do some decorating. The tin remained unopened for three weeks but last Sunday there was a gap in my schedule of conference calls and radio – surely enough time to do a trial wall? Well. Crikey. The paint went on like sludgy icing; you’d stand back and see that what had been a smooth, if scuffed, surface now resembled something from the “this ain’t looking hopeful” chapter of a dermatologists’ handbook. Meanwhile, anything within a 3km radius took on a white-freckled appearance. It was deeply unsatisfying.
But it also makes me wonder when we finally get back to work what my colleagues Tom Reynolds and Will Kitchens will look like. Both boasted that they would be making their own clothes while out of the office but if their sewing skills match my efforts, we might be in for some unusual visions. Indeed, will all our offices be filled with a parade of terrible haircuts, an abundance of macramé plant-pot holders needing willing takers and people sporting home-knit sweaters with mismatched sleeve lengths? In the meantime I am securing the services of a professional decorator to correct my efforts as soon as the lockdown ends.