Opinion / Chiara Rimella
Italian jobs
Plenty of actors have found it difficult to break the mould once typecast, whether it’s the villain, the funny sidekick or the muscled macho. Now it seems that we might be witnessing the birth of a new category in international casting: the intense, larger-than-life Italian industrialist. Fresh from his interpretation of a moody Maurizio Gucci in House of Gucci (pictured), Adam Driver has accepted a new role as Enzo Ferrari, head of the Modena-based car-maker.
The film has been decades in the making and is the passion project of American director Michael Mann. It will focus on the events of 1957, when Ferrari’s marriage and company were in turmoil and he decided to embark on the Mille Miglia, a 1,000-mile (1,597km) race across Italy. Driver bears no more resemblance to Ferrari than he did to Gucci but that, of course, is not the point. Rather, Mann appears determined to work with huge names from the Hollywood pantheon: Driver’s part was originally intended for Hugh Jackman – whose appearance at least would have been closer to the original subject – and the compelling Penélope Cruz and Shailene Woodley are also on board.
Of course, I understand the strategy: blockbuster titles need blockbuster billboards. Driver is a versatile actor who brings star power and charm to the role and will hopefully understand the difference between his two Italian-American assignments. It’s also true that Ferrari is hardly an Italy-only story. But as the film industry increasingly moves towards authenticity, isn’t this a missed opportunity to spotlight some of Italy’s best actors, who might be waiting for their big break stateside? I say this not just out of love for my country: having sat through two-and-a-half hours of House of Gucci, I’m not sure that I’ll be able to stand another cringeworthy attempt at fake accents. At the very least, let’s hope that Driver leaves the Italian twang behind this time.