Opinion / Chiara Rimella
Pizza the action
Italy’s far-right government has inspired criticism and mockery almost every week since it came to power last October but the latest in a series of state-sponsored initiatives gone wrong might be one of its most embarrassing PR misfires yet. Last week the country’s tourism minister, Daniela Santanchè, unveiled a new marketing campaign called “Open to Meraviglia”. It features Botticelli’s Venus recast as a “virtual influencer”, dressed in a miniskirt, wielding her smartphone in front of Venice’s Piazza San Marco, cycling in front of the Colosseum and eating a pizza on the shores of Lake Como.
Santanchè, in a puzzling state of denial, proudly announced that her €9m project sells “our nation in an unseen way that has never been done before”. Ask anyone, whether they’re in Houston or Hanoi, what they picture when they think of Italy and it’s likely that they will mention a dough-based dish topped with tomato and mozzarella or that curious circular building in Rome with lots of arches and no doors. Meanwhile, since the ad’s release, it has emerged that it inadvertently features stock footage of a Slovenian vineyard and that the ministry failed to secure the campaign’s eponymous online domain.
This kind of tourism strategy is astoundingly shortsighted. At a time when places such as Venice are struggling with having too many visitors – to the point that the city has considered introducing people counters and an entry fee – the campaign feels like banging a worn-out drum. In Portofino, tourists will now be fined if they linger too long in scenic spots to take pictures of themselves. There are, however, plenty of places around the country that remain all but unknown to international audiences.
Most of all, this is an abysmal example of Italian creativity: an ill-considered effort commissioned by patronising, disconnected older people who think that they know what youngsters like. Santanchè could have taken a whirl around Milan’s Salone del Mobile last week to find out what new generations of Italian creatives are up to. I dream of the day when the country’s pitch to international travellers will be as whip-smart as Iceland’s or Tasmania’s. For now, I remain open to disappointment.
Chiara Rimella is Monocle’s executive editor. For more opinion, analysis and insight, subscribe to Monocle today.