Opinion / Fernando Augusto Pacheco
Singing praises
For my eighth Eurovision Song Contest as Monocle’s designated Eurovision correspondent, instead of flying to Tel Aviv or Malmö, today I’m heading a little closer to home: the northern English city of Liverpool. It’s clearly going to be a thrilling show (although, admittedly, I say that every year) with a strong line-up of entries, from a Finnish cha-cha-cha to an Austrian duo that uses the name of writer Edgar Allan Poe as the catchy chorus of the song “Who The Hell Is Edgar?”.
Although the UK is happy to host the contest for the first time since 1998 (when the contest was held in Birmingham), it is also good to see that last year’s winning nation, Ukraine, will also take centre stage. Ukrainian singer Julia Sanina will be a co-host and viewers should look out for a powerful performance from last year’s winner, Kalush Orchestra (pictured), who will play its winning song, “Stefania”. It’s not often that the contest happens at times of war but it’s an amazing cultural symbol to be able to show solidarity with Ukraine through pop music.
This year’s show also comes at a time of record interest in the Eurovision brand. Last year’s contest attracted a whopping 161 million viewers, making it the most-watched non-sporting event in the world. I’m not surprised by this; there simply is nothing on the world stage like Eurovision, which goes a long way to explaining its booming popularity.
For now, Sweden’s Loreen is the favourite to win this year’s contest with the catchy “Tattoo”. But the competition is by no means a done deal with Finland’s Käärijä also in the running with the mad but delicious “Cha Cha Cha”. I’m still deciding on my favourite to win but, to be honest, I’m just happy to be at the party.
Fernando Augusto Pacheco is Monocle Radio's senior correspondent. Tune in for more Eurovision analysis, including interviews with contestants, on Monocle Radio this week.