Opinion / FERNANDO AUGUSTO PACHECO
The fine print
The death of print newspapers and magazines has been greatly exaggerated. If you don’t believe me, a trip to a buzzy news kiosk in France might be in order. There, you’ll find new releases with bright covers beside stern-looking newspapers and trusty periodicals, offering insightful reads on the world. They still catch eyes, draw crowds and tempt sales.
On a recent visit to Marseille, I spotted the first issue of L’Étiquette Femme and other new publications including Le Magazine Dubo, a quarterly about art, design and living well. There were, of course, staples such as Les Echos, Le Monde and Paris Match too. I picked up the cult music magazine Les Inrockuptibles, which was featured in the July/August issue of Monocle. The title still has the distinctive sense of discovery and sharp cultural criticism that made it popular in the 1980s and it now hosts its own annual music festival, showcasing emerging talent from across the country. How’s that for innovation?
In France, there has been some good news about the established press too. Last year many of the country’s daily newspapers had increases in their paid circulation. Though digital editions will have played their part, the presence of their must-read printed weekend supplements neatly arranged on newsstands remains part of the charm for many readers. Both M Le Magazine du Monde and Madame Figaro, Le Figaro’s take on fashion, are good examples of that.
While many blame the failure of some newsstands on a dwindling interest in print, community news kiosks are far from doomed. Done right – and with a certain je ne sais quoi – they can still be spaces of inspiration, discovery and delight.
Fernando Augusto Pacheco is a senior Monocle correspondent and host of ‘The Stack’ on Monocle Radio. For more opinion, analysis and insight, subscribe to Monocle today.