Opinion / Nolan Giles
Stairway to heaven
Building a new landmark in a city of landmarks is brave work. Enter British designer Thomas Heatherwick who on Friday will unveil a grand vision at New York’s Hudson Yards development and spark what’s sure to be a media frenzy. Named Vessel, the work is a 16-storey, cyclonic shaped structure of hexagonal platforms that spirals up into the air. It’s dubbed an “infinite staircase” and encourages visitors to meander between its multiple storeys for hours on end, no doubt snapping the myriad views it offers from their smartphones in the process.
Vessel is new, shiny and daring and no doubt will garner many different opinions from many different places on its divisive design. Yet what’s most important is the impact it will have on the city. Borrowing a few tricks from the nearby (and mega successful) High Line, its ability to elevate its users and offer multiple spots for respite helps form a piece of place-making that feels democratic. It’s a work of starchitecture that’s for sure, but its emphasis on sharing space rather than being a space to stare at should satisfy many New Yorkers.