THE FASTER LANE / TYLER BRÛLÉ
Bombastic plastic
In case you missed it, there’s a war on plastic bags. It’s not exactly a global war just yet because the memo is still jammed in fax machines in some countries, while others have more pressing things to worry about, such as locust invasions, flooding, malnutrition and generally just getting by. In Thailand, the nation’s biggest retailers are doing battle with the single-use plastic bag and many of its cousins (plastic lids, straws and that annoying wrapping that goes around magazines in humid and censor-crazy countries).
If you live in Hong Kong you might notice that our February issue is bundled in plastic because it contains an image that some might find offensive. As Monocle isn’t exactly targeting 12-year-olds (though many clever pre-teens do read it), we felt that it was more than appropriate to run a rather small photo of an art installation featuring mannequins engaging in a sexual act. Is it art? Well, that’s one for the reader to decide but unfortunately many in Hong Kong will never be given the opportunity to judge for themselves because of the menacing shroud that’s been placed over our magazine. I’d like to think that the plastic muzzle makes our title look more exciting and daring. But the plastic bag treatment is not just out of order; it’s also out of step with the war on single-use petro-chemical products. I could go on about Hong Kong’s censors (don’t they have more pressing concerns at the moment?) but let’s get back to the check-out counter at the Bangkok grocery where I’m purchasing some toiletries (all packed in plastic) and listening to the announcement and reading signage about the retailer’s battle against the plastic bag.
As I pile my items onto the conveyor, I notice that I can purchase a reusable bag. Given things are moving rather fast and there’s a growing queue of office workers buying Valentine’s treats behind me, I don’t have much time to scrutinise the composition of the bag before I add it to the purchases. It’s made of that soft fabric that’s loved by airlines for wrapping slippers, headphones and toiletry kits in. You know the stuff I mean: feels soft enough but you wouldn’t want your undies made out of it. (Then again, isn’t this the same material used for the panties that overly PC spas give you when you have a massage? Come to think of it, aren’t most face masks composed of something similar?) Anyway, I place the purchases in the bag and wonder, as I make my way out of the store, if the world is now a better place and also if this bag is headed for a Bangkok rubbish barge in the coming 24 hours. I’m not going to use it again because it’s not all that sturdy and I’m sceptical about how sustainable it is in the first place. Is it spun from discarded Sprite and Evian bottles? And if my hotel room did have recycling bins, which one would I put it in? It’s attempting to appear natural but it’s clearly not. Will it break down within days in the mangrove? Or will it get snaffled up by a hungry manatee and become lodged in its digestive tract? No matter what happens to this bag, the material doesn’t offer much in the way of a second life and has dubious environmental creds at best.
Reusable bags and paper straws are lovely nods to a problem but they tally up to nothing if there’s not a system in place to produce them in a sustainable manner or a process that’s easy for the end user to engage with. If you want to mobilise society to divide up its rubbish, place it outdoors on the appropriate days of the week or walk half a kilometre to sort and dispose of it, you need to make it not only easy but also fun. I’ve become so obsessive about hoarding, dividing and sorting my cardboard, plastic and brown glass bottles and more because it’s such a hoot to go to the depot to smash bottles and watch the enormous compactor devour mountains of boxes. Of course, it does mean getting in my car and driving it all there. Headline: the system’s not perfect, we’re not perfect, so we should aim to do the best we can.