Column / Chiara Rimella
Unlocked creativity
The opening of a new academy and artists’ residence on a sunny Mediterranean island off the coast of Italy might, at first, not seem like groundbreaking news. Dedicated to David Sassoli, the late former president of the European Parliament, the yet-to-be-named cultural centre will focus on training future European leaders, with courses on human rights, justice, democracy and solidarity.
But the fact that the proposed institution will take over a former prison (pictured), which is currently crumbling on the tiny, uninhabited islet of Santo Stefano, adds more than an element of novelty to the story. Completed in 1797, the prison was inspired by the principles of British philosopher Jeremy Bentham’s “panopticon”: a setup that allows for permanent supervision of all inmates from one central viewpoint. It’s an idea that went on to inspire and embody a number of unsettling, dystopian visions of modern life and digital surveillance.
The same isolation that made this place ideal for confining criminals and political prisoners has turned it into a precious prerequisite for quiet and concentration. Details of the new design aren’t public yet but if the original U-shape of the building is kept, it will probably be used to help to create a sense of community rather than a paranoia-inducing lack of privacy.
Is this project too much like opening a detox meditation retreat on St Helena? Not quite. We have become used to a certain brand of architectural projects that transform dilapidated, undervalued structures such as warehouses and factories. The conditions that make an architectural project desirable, or even ethically commendable, can change radically over time. Some ideas that were born as dreams over the past century have turned into nightmares – but hopefully the transformation can happen in the other direction too.