Opinion / James Chambers
Down to a fine art
Asian art collectors are coming on like gangbusters for Western contemporary art and the scale of demand is on show this week at the spring sales at Christie’s in Hong Kong. Romanian artist Adrian Ghenie is attracting plenty of buzz ahead of tomorrow’s marquee evening auction, despite being in the company of Pablo Picasso and Claude Monet. His “Pie Fight Interior 12” (pictured) is expected to set a new record for the prodigious painter, whose work sold for €8.2 in 2016 at Christie’s in London. Ghenie’s style has been compared to that of Francis Bacon, though the Berlin-based 44-year-old denies any direct influence. “He is definitely one of the most important artists of the 21st century and there’s a lot more to talk about than his technique,” says Arthur de Villepin, a Hong Kong gallerist.
De Villepin’s forthcoming exhibition features the work of Ghenie alongside that of Bacon and Chinese contemporary artist Zeng Fanzhi (another auction darling). A record-smashing sale for Ghenie on Thursday night would reflect the growing influence of Asian collectors and the art market’s continued shift eastward. Hong Kong has leapfrogged London as the world’s second-largest market after New York and is no longer just a place to flog household names to clueless collectors. The big Western auction houses are bringing out younger artists from all over the world and setting the types of records that used to be the preserve of Western art capitals.
Ghenie leads a new generation of “ultra-contemporary” artists encompassing those from countries beyond the Anglosphere. A work in tomorrow’s Christie’s sale by Polish artist Ewa Juszkiewicz could push up her own record, which was set earlier this month in New York. Global trade might be in decline and geopolitics may currently resemble a pie fight but the international art market appears to be a picture of health.