The Agenda: Culture

The Vatican and Saudi Arabia, home to the holiest sites of Catholicism and Islam, aren’t on the friendliest terms. As a result of past quibbles, the theocracies don’t even officially recognise each other. But on the long list of participants in the Islamic Arts Biennale (iab), which runs from 25 January to 25 May, is a feat of diplomacy. In the event, which gathers masterpieces from across the Muslim world in Jeddah airport’s Hajj Terminal, there are 11 works shipped in straight from the Holy See.

Delio Proverbio, a curator at the  Vatican Apostolic Library, says that this is a first both in terms of the recipient country and the size of the loan. “Even to an institution such as New York’s Metropolitan Museum of Art, we would lend a maximum of three works,” he tells monocle. But Proverbio was persuaded to collaborate by Abdul Rahman Azzam, one of the iab’s artistic directors, and Aya Al-Bakree, the ceo of the Diriyah Biennale Foundation, the event’s organiser. It helped that the inaugural 2023 edition, which displayed ancient scientific instruments alongside newly commissioned artworks, had been a blockbuster success with more than 600,000 visitors. “The Pope himself said, ‘You have to join this exhibition,’” says Proverbio.

Last spring the Saudis visited the Vatican to peruse its archives. The star item that they chose for the show is a six-metre-long 17th-century map of the Nile. It was made by Ottoman-Turkish explorer Evliya Celebi, the author of the Seyahatname travelogue. “When I saw it, I was blown away,” says Al-Bakree. “We were all trying to see the little inscriptions.” The biennale agreed to fund a thorough restoration of the work.

Is this collaboration a sign of thawing relations between the two states? “That’s beyond all our pay grades,” says Al-Bakree. Even so, it’s a prime example of how cultural institutions can make space for tolerance and co-operation even, and especially, where politics cannot.
biennale.org.sa

Seoul’s Daeshin Wirye Center has a bookish new occupant with a distinctive mid-century style. Graphic, a library devoted to comics and art books, has opened its second branch here. The three-storey space is attracting crowds of people drawn by its immersive reading experience. For an entrance fee, visitors can peruse the collection and settle into any of its inviting nooks, cosy settees or veranda chairs, all while enjoying tasty snacks and drinks.

The idea is to allow readers to lose themselves in books and stay as long as they want – at least, up to a point (the high demand has led to the introduction of a three-hour cap at peak times). Graphic’s popularity reflects a growing appreciation of print media in a city known for its “snack culture” – the tech-savvy population’s habit of scrolling content such as webtoons in bite-sized chunks. It’s the latest addition to Seoul’s expanding array of sit-down reading sanctuaries, from the expertly curated, genre-focused Hyundai Card Libraries to Cheongdam’s membership-based Sojeonseolim Library, which hosts book clubs and author visits.

Whether it’s by encouraging readers to lounge on beanbags or by having a DJ set the mood, Seoul is reimagining how books are experienced. Pull up a chair and get stuck in.
graphicbookstore.imweb.me

FILM ––– BRAZIL
Q&A

Out of the past
Fernanda Torres, actress

In 1986, Fernanda Torres became a Brazilian icon after winning the best actress award at Cannes for her role in Arnaldo Jabor’s Love Me Forever or Never. Here, she tells us about her latest film, I’m Still Here, set during Brazil’s military dictatorship.

When did you first learn about Eunice Paiva?
It was through her son Marcelo Rubens Paiva’s 2015 book [I’m Still Here is based on his memoir of the same name]. I watched interviews too. She was persuasive but always gentle and intelligent.

You have just won a Golden Globe for your performance in the film. How important was the recognition?
It was made [during the Bolsonaro years] at a time when the arts were under attack in Brazil. I’m so happy that people of all religions and political beliefs are proud of our culture and going to cinemas to see it.

You’re well known for your comedy roles. Did you enjoy returning to drama?
Yes. Many teenagers don’t know very much about Brazil’s dictatorship and they’re finding out about it by seeing this film, whose story is told through the eyes of a family that could have been theirs.

‘I’m Still Here’ is out now in Brazil and the US, and will soon be released across Europe. For the full interview with Torres and Salles, tune in to Monocle Radio.